Durata de livrare: 24 ore
Brand: 4CD, CD, Sony
Suport: Sony, CD, 4CD
Gen muzical: Clasica, 61,17, 61
Subgen muzical: Clasica, 17
Configuratie: 4CD, Clasica, Sony
Suport: CD
Configuratie: 4CD
Artist: Bruno Turner, Dominique Vellard, Elizabeth Gaver, Sequentia
Album: Tresors Du Moyen-Age
Brand: Sony
Label: Sony
Gen Muzical: Clasica
Subgen Muzical: Clasica
| MP3 | Disc | Track | Titlu | Artist | Durata |
|---|---|---|---|---|---|
| Play | 1 | 1 | Tant ai amé c'or me convient hair (Chanson) | Sequentia & Bethune, Conon de | 0:05:22 |
| Play | 1 | 4 | Santa Maria, strela do dia (Cantiga 100) | Schola Cantorum Basiliensis & Traditional | 0:03:21 |
| Play | 1 | 2 | O Jerusalem | Sequentia & Hildegard von Bingen | 0:10:25 |
| Play | 1 | 3 | Aisso es viadera | Ensemble Perceval & Cerveri de Girona | 0:01:46 |
| Play | 2 | 1 | S'on me regarde/Prennés i garde/Hé mi enfant (Motet) | Sequentia & Anonymous | 0:01:07 |
| Play | 2 | 3 | Lanquan li jorn | Ensemble Perceval & Rudel, Jaufré | 0:07:24 |
| Play | 2 | 2 | Instrumental Piece | Sequentia & Traditional | 0:02:56 |
| Play | 2 | 4 | Dized' ai, trobadores! (Cantiga 260) | Schola Cantorum Basiliensis & Traditional | 0:04:01 |
| Play | 3 | 1 | Estampie | Sequentia & Anonymous | 0:03:33 |
| Play | 3 | 3 | Ja nuls om pres | Ensemble Perceval & Richard I "Lionheart" | 0:05:08 |
| Play | 3 | 2 | Uterus hodie | Bagby, Benjamin & Anonymous | 0:03:53 |
| Play | 3 | 4 | Pero que seja a gente (Cantiga 181) | Schola Cantorum Basiliensis & Traditional | 0:08:15 |
| Play | 4 | 1 | Bonne amourete me tient gai (Rondeau) | Sequentia & Hale, Adam de la | 0:00:29 |
| Play | 4 | 4 | Una ramika de ruda (Bulgaria). Una matika de ruda (Turkey). Una matika de ruda (Bosnia) - 3 Wedding Songs | Ensemble Sarband & Traditional | 0:07:51 |
| Play | 4 | 2 | Stirps Jesse florigeram | Vellard, Dominique & Unknown | 0:02:25 |
| Play | 4 | 3 | Wol dir liebe summerzeit | Ensemble Perceval & Neidhart von Reuental | 0:02:44 |
| Play | 5 | 1 | Instrumental Piece | Sequentia & Hale, Adam de la | 0:01:28 |
| Play | 5 | 3 | Sinc eyn gulden boen | Ensemble Perceval & Neidhart von Reuental | 0:03:34 |
| Play | 5 | 2 | Graduale: Sederunt principes | Deller Consort & Perotinus Magnus | 0:10:36 |
| Play | 5 | 4 | Quien haviesse tal ventura - Romance. Gerineldo - Romance (Marocco/Algeria: Oran) | Ensemble Sarband & Pisador, Diego | 0:07:52 |
| Play | 6 | 1 | Or est Baiars en la pasture (Rondeau) | Sequentia & Hale, Adam de la | 0:00:54 |
| Play | 6 | 4 | Abenamar - Romance (Greece: Saloniki; Tetuan; Alcazarquivir) | Ensemble Sarband & Traditional | 0:05:22 |
| Play | 6 | 2 | Cum processit factura digiti Dei | Youngdahl, Janet & Hildegard von Bingen | 0:06:32 |
| Play | 6 | 3 | Meienzit | Ensemble Perceval & Pseudo-Neidhart | 0:05:31 |
| Play | 7 | 1 | Estampie | Sequentia & Lescurel, Jehannot De | 0:03:22 |
| Play | 7 | 3 | Mia yrmana fremosa | Ensemble Perceval & Codox, Martin | 0:02:19 |
| Play | 7 | 2 | Instrumentalstück | Sequentia & Hildegard von Bingen | 0:03:30 |
| Play | 7 | 4 | Kharjas in the Andalusian style | Sequentia & Traditional | 0:07:14 |
| Play | 8 | 1 | Instrumental Piece - Diex, quant la verrai - Instrumental Piece - Bonnement m'agrée - Douce dame, je vous pri - Instrumental Piece - Guilleurs me font mout souvent - Instrumental Piece | Sequentia & Lescurel, Jehannot De | 0:07:43 |
| Play | 8 | 4 | Que faray, mamma? | Sequentia & Traditional | 0:01:20 |
| Play | 8 | 2 | Petre Clemens, tam re quam nimine - Lugentium siccentur occuli plaudant senes (Motette) | Sequentia & Vitry, Philippe de | 0:06:32 |
| Play | 8 | 3 | La Messe de Nostre Dame | Clemencic Consort & Machaut, Guillaume de | 1:09:49 |
| Play | 9 | 1 | Rassa, tan creis e monta e poia | Sequentia & Born, Bertrand de | 0:09:21 |
| Play | 9 | 3 | Minstrels and beggars play at the entrance of the church | Clemencic Consort & Machaut, Guillaume de | 0:00:00 |
| Play | 9 | 2 | Tribum, que non abhorruit (Intabulation) | Sequentia & Vitry, Philippe de | 0:02:02 |
| Play | 9 | 4 | Meu sidi Ibrahim | Sequentia & Traditional | 0:02:32 |
| Play | 10 | 1 | EDDA | Sequentia & Anonymous | 1:16:48 |
| Play | 10 | 4 | Garid vos ay yermanellas | Sequentia & Traditional | 0:02:11 |
| Play | 10 | 2 | Vos quid admiramini, virgines - Gratissima virginis species - Gaude gloriosa (Motette) | Sequentia & Vitry, Philippe de | 0:01:58 |
| Play | 10 | 3 | Guillaume de Machaut: Virelai "Quant je suis mis" | Clemencic Consort & Machaut, Guillaume de | 0:01:23 |
| Play | 11 | 1 | Leikur elds og isa | Gaver, Elizabeth & Anonymous | 0:02:15 |
| Play | 11 | 3 | Li Roi de Navarre (1201-1243): Chancon d'amour | Clemencic Consort & Machaut, Guillaume de | 0:05:37 |
| Play | 11 | 2 | Syon egredere nunc de cubilibus | Sequentia & Anonymous | 0:08:40 |
| Play | 11 | 4 | En todo logar á poder | Sequentia & Traditional | 0:04:11 |
| Play | 12 | 1 | Senn voro aesir allir a thingi | Bagby, Benjamin & Anonymous | 0:09:32 |
| Play | 12 | 4 | Ludus Danielis | O'Leary, Caitriona & Anonymous | 1:17:33 |
| Play | 12 | 2 | Alleluia Nativitas | Deller Consort & Perotinus Magnus | 0:06:48 |
| Play | 12 | 3 | Guillaume de Machaut: Virelai "Dou mal" | Clemencic Consort & Machaut, Guillaume de | 0:01:42 |
| Play | 13 | 1 | Ragnaroek | Gaver, Elizabeth & Anonymous | 0:01:28 |
| Play | 13 | 2 | The Agincourt Carol: Deo gracias Anglia | Pro Cantione Antiqua London & Anonymous | 0:02:30 |
| Play | 13 | 4 | Belshazzar's Feast | Harp Consort, The & Anonymous | 0:08:13 |
| Play | 13 | 3 | La Messe de Nostre Dame | Clemencic Consort & Machaut, Guillaume de | 0:00:00 |
| Play | 14 | 4 | Prosa | Harp Consort, The & Anonymous | 0:03:23 |
| Play | 14 | 3 | Kyrie eleison | Clemencic Consort & Machaut, Guillaume de | 0:05:42 |
| Play | 14 | 1 | Des Gwenc'hlan prophesei | Bären Gässlin & Traditional | 0:02:52 |
| Play | 15 | 3 | Anonymus (c. 1300, french): St. Mary's hymn "Ave virgo regia" | Clemencic Consort & Machaut, Guillaume de | 0:01:51 |
| Play | 15 | 1 | Zwei Schwestern | Bären Gässlin & Traditional | 0:06:08 |
| Play | 15 | 4 | Vasa Templorum | Harp Consort, The & Anonymous | 0:03:26 |
| Play | 16 | 1 | Herr Heinrich | Bären Gässlin & Traditional | 0:05:21 |
| Play | 16 | 4 | The Writing on the Wall | Harp Consort, The & Anonymous | 0:32:32 |
| Play | 16 | 3 | Anonymus (14th century, french): Agniaus dous" | Clemencic Consort & Machaut, Guillaume de | 0:03:56 |
| Play | 17 | 4 | Conductus Danielis | Harp Consort, The & Anonymous | 0:04:29 |
| Play | 17 | 3 | St. Mary's hymn, Limoges (c. 1200): "Ave nobilis" | Clemencic Consort & Machaut, Guillaume de | 0:00:53 |
| Play | 17 | 1 | Herr Oluf | Bären Gässlin & Traditional | 0:03:09 |
| Play | 18 | 3 | Ite missa est | Clemencic Consort & Machaut, Guillaume de | 0:01:07 |
| Play | 18 | 1 | Beiarblakk | Bären Gässlin & Traditional | 0:01:25 |
| Play | 18 | 4 | Conductus referentium vasa | Harp Consort, The & Anonymous | 0:02:21 |
| Play | 19 | 1 | Lore Lay | Bären Gässlin & Traditional | 0:06:54 |
| Play | 19 | 4 | At the Court of King Darius | Harp Consort, The & Anonymous | 0:16:31 |
| Play | 19 | 3 | Flos florum | Clemencic, René & Dufay, Guillaume | 0:03:25 |
| Play | 20 | 4 | O hez! | Harp Consort, The & Anonymous | 0:01:30 |
| Play | 20 | 3 | Edi Be Thu, Heven-Queene | Sequentia & Anonymous | 0:02:19 |